Wood and Saddle Leather Chair 905 by Vico Magistretti for Cassina 01
Wood and Saddle Leather Chair 905 by Vico Magistretti for Cassina 02
Wood and Saddle Leather Chair 905 by Vico Magistretti for Cassina 03
Wood and Saddle Leather Chair 905 by Vico Magistretti for Cassina 04
Wood and Saddle Leather Chair 905 by Vico Magistretti for Cassina 01
Wood and Saddle Leather Chair 905 by Vico Magistretti for Cassina 02
Wood and Saddle Leather Chair 905 by Vico Magistretti for Cassina 03
Wood and Saddle Leather Chair 905 by Vico Magistretti for Cassina 04
Cassina

Wood and Saddle Leather Chair 905, designed by Vico Magistretti for Cassina

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"BLACK10"
"BLACK15"
"ONEOFF5-FASSAMANO"
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100% Made in Italy

100% Made in Italy

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Produced by Cassina until 2000, this chair has now been relaunched, the finishes and details having been updated from the original archive model. The sophisticated elegance of the frame, which features cylindrical legs and curved arm-rests, has been rejuvenated thanks to Cassina’s extensive experience in handling leather, not to mention the company’s high quality carpentry skills. The complex nature of this piece is expressed in a design that looks simple but fully reflects the genius of the original concept, a veritable masterpiece of the crafts tradition. The frame, in finest quality wood, bespeaks the perfect combination of the artisanal tradition and premier CNC technology, while the overall design stands out for the self-supporting seat crafted from one single piece of saddle leather, curved and slotted into the frame. The decorative stitching has been removed, while the rear of the chair still features the leather belt that lends support to the back and enhances its comfort quotient.

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Product Details

Color: Black

Material: Leather, Wood

Dimensions (cm): H 77 x W 56 x D 58

Dimensions (in): H 30.3 x W 22.0 x D 22.8

Seat Height: (cm) 45 - (in) 17.7

Weight: 6.5 kg

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Vico Magistretti - Design Italy

Designer

Vico Magistretti

He graduated in 1945 from Milan Polytechnic, where his lecturers included Gio Ponti and Piero Portaluppi, and immediately started work in his father’s studio. He mainly designed for the home and living ideas and soon made a name for himself in the Milan that was home to the growing industry of design, developing an extremely expressive, unmistakable language.At the end of the forties he took part in various editions of the Triennale in Milan and in 1956 he was one of the founding members of the ADI, the Italian Industrial Design Association.

He has worked with important companies and his projects are part of permanent collections in the world’s most important museums. From 1998 to 2003, for FontanaArte he designed the wall lamps Ananas and Bruco, the Margaret lamp with supporting bag and Morocco hanging lamp.He has received no fewer than four Compasso d'Oro awards for design projects plus one for his career (1995).In parallel with his outstanding career as a designer, he has also been busy in the field of architecture.

His most important projects include: the tower in the Park in Via Revere (Milan, 1953-56, with Franco Longoni), the towers in Piazzale Aquileia (Milan, 1962-64), Casa Arosio (Arenzano, 1958), Cusano Milanino Town Hall (1966-69), the Milan-San Felice district (1966-69, with Luigi Caccia Dominioni), the headquarters of the Faculty of Biology (Milan, 1978-81, with Francesco Soro) and the Famagosta depot for the ATM, Milan's public transport company (Milan, 1989-2002).He was nominated member of the Accademia di San Luca in 1967 and honorary member of the Royal College of Art in London, where he is also a visiting professor. He has also taught at the Domus Academy in Milan and held conferences and lectures in Europe, Japan and the USA. In 1986 he received a gold medal from the SIAD (Society of Industrial Artists and Designers).